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Int. Corridor - morning
T H E G R E E N M I L E
Screenplay by Frank Darabont
from the novel by Stephen King
First Draft 11/4/97
" We each owe a death, there are no exceptions..."
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A SONG BEGINS, distant as a faded memory on an old Victrola:
Once I built a railroad, made it run... Made it race against time...Once I built a railroad, now it's done...Brother, can you spare a dime...
Opening credit sequence
plays against footage of the Great Depression, images haunting and sepia-toned, defining an era. The bread lines...the soup kitchens...the dust bowl refugees heading west with their possessions on their backs and no hope in their eyes...the strutting gangster royalty flaunting their bootleg riches...an entire generation of lost youth riding the rials...the U.S. army troops raining truncheon blows on the half-starved and forgotten veterans of World War One as " Hooverville" is set afire in the very shadow of the nation's capitol...
All these faces, all these lives, in a world not really so very long ago...
EXT. FIELD - DAY(SLOW MOTION)
...where cattails sway in the sepia-toned heat. A small scrap of fabric is snagged in the nettles, fluttering languidly...
COLOR BLEEDS SLOWLY IN as mosquitoes swarm and dragonflies skitter, showing the fabric scrap to be pale yellow...
Suddenly, a MAN WITH A SHOTGUN comes crashing through the cattails, wiping through frame and exiting...
...then ANOTHER MAN...and ANOTHER...armed with rifles, plowing through the brush, exiting frame...
...and now comes KLAUS DETTERICK, a farmer one step above shirt-tail poor, a double-barrel shotgun in the crook of his arm. He pauses, horrified, seeing the scrap of cloth. He pulls it loose, turns back, screaming something in anguish...
...and still more men come crashing into view, flooding by us with dreamlike, slow-motion grace. ONE MAN is leading a team of DOGS, trying to untangle the leads. DEPUTY ROB McGEE is shouting for everybody to stay together...
...and under it all, we hear a sibilant, frightening whisper:
WHISPERING VOICE (V.O.) You love your sister? You make any noise, know what happens?
And off that horrible voice, we
CUT TO:
INT. GEORGIA PINES NURSING HOME - MORNING(PRESENT DAY)
A CLOCK RADIO spews the morning weather report, abruptly pulling us into the present with a prediction of rain. PAUL EDGECOMB, late 70's/early 80's, wakes to another day...
INT. PAUL'S ROOM - MORNING
Paul stands at his bathroom mirror, meticulously buttoning his shirt. He picks up a hairbrush, starts tidying his hair...
INT. CORRIDOR - MORNING
THE OLD AND INFIRM haunt these corridors like ghosts. A WOMAN inches along on a walker. A MAN shuffles by with a rolling I.V. stand. The floor is a limey, institutional green.
Paul comes into view, spry for his age, murmurs an occasional greeting.
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