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Works: style, influence, relationships






K. Szymanowski: ‘Fré dé ric Chopin et la musique polonaise moderne’, ReM, no.121 (1931), 30–34

G. Abraham: Chopin’s Musical Style (London, 1939/ R)

V.V. Pashchalov: Shopen i pol'skaya narodnaya muzï ka [Chopin and Polish folk music] (Moscow, 1941, 2/1949)

W.-L. Landowski: Fré dé ric Chopin et Gabriel Fauré (Paris, 1946)

F. Zagiba: ‘Chopin als Mozart-Verehrer’, Chopin-Jb 1956, 177–207

J.M. Chomiń ski: ‘La maî trise de Chopin compositeur’, Annales Chopin, ii (1957), 179–237

Z. Lissa: ‘Le style national des oeuvres de Chopin’, Annales Chopin, ii (1957), 100–78

S. Ł obaczewska: ‘L’apport de Chopin au romantisme europé en’, Annales Chopin, ii (1957), 7–99

A. Basso: ‘Chopin et l’esprit de la musique instrumentale baroque’, The Works of Frederick Chopin: Warsaw 1960, 271–4

K. Biegá nski: ‘Evolution de l’attitude de Chopin à l’é gard du folklore (suivant ses mazurkas)’, The Works of Frederick Chopin: Warsaw 1960, 95–9

J.M. Chomiń ski: ‘Die Evolution des Chopinschen Stils’, The Works of Frederick Chopin: Warsaw 1960, 44–52

S. Ł obaczewska: ‘La culture musicale en Pologne au dé but du XIXe siè cle et ses relations avec la musique de Chopin’, The Works of Frederick Chopin: Warsaw 1960, 63–72

W. Siegmund-Schultze: ‘Chopin und Brahms’, The Works of Frederick Chopin: Warsaw 1960, 388–95

V.A. Tsukkerman: ‘Zametki o muzï kal'nom yazï ke Shopena’ [Remarks on Chopin’s musical language], Friderik Shopen, ed. G. Edel'man (Moscow, 1960), 44–181

W. Wiora: ‘Chopins Pré ludes und Etudes und Bachs Wohltemperiertes Klavier’, The Works of Frederick Chopin: Warsaw 1960, 73–81

P. Badura-Skoda: ‘Chopin und Liszt’, Ö Mz, xvii (1962), 60–64

Z. Lissa: ‘Shopen i Skyrabin’, Russko-polskiye muzï kal’nï ye svyazi, ed. I. Belza (Moscow, 1963), 293–374

I.F. Belza: ‘Problemï izucheniya stilya Shopena’ [Problems of examining Chopin’s style], Annales Chopin, vi (1965), 39–72

J. Starzyń ski: O romantycznej syntezie sztuk: Delacroix, Chopin, Baudelaire [The Romantic synthesis of the arts: Delacroix, Chopin, Baudelaire] (Warsaw, 1965)

Z. Lissa: ‘Max Regers Metamorphosen der Berceuse op.57 von Fré dé ric Chopin’, FAM, xiii (1966), 79–84; repr. in Mf, xxiii (1970), 277–96

Z. Lissa: ‘Ü ber den Einfluss Chopins auf A.K. Ljadow’, DJbM, xiii (1968), 5–42

J.M. Chomiń ski: ‘Szymanowski a Chopin’, Rocznik chopinowski, vii (1968), 52–66

S. Ł azarov: ‘Chopin – Wagner – Mahler’, Rocznik chopinowski, vii (1968), 100–108

Z. Lissa: ‘Beethovens Stilelemente im Schaffen Fryderyk Chopins’, Beethoven Bicentenary Conference: Pieš ť any and Moravany 1970, 75–99

D. Branson: John Field and Chopin (London, 1972)

Z. Chechliń ska: ‘Chopin a impresjonizm’ [Chopin and Impressionism], Szkice o kulturze muzycznej XIX wieku, ii (Warsaw, 1973), 21–34

E. Dzię bowska: ‘Chopin: romantyk, klasyk, modernista’, Szkice o kulturze muzycznej XIX wieku, ed. Z. Chechliń ska, ii (Warsaw, 1973), 7–20

C. Colombati: ‘Chopin, Scarlatti i muzyka wł oska’ [Chopin, Scarlatti and Italian music], RM, xx/4 (1976), 3–5

J.-J. Eigeldinger: ‘Placing Chopin: Reflections on a Compositional Aesthetic’, Chopin Studies 2, ed. J. Rink and J. Samson (Cambridge, 1994), 102–39

Chopin, Fryderyk Franciszek: Bibliography


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