Editorial questions, interpretation

J. Kleczyń ski: O wykonywaniu dzieł Chopina [On the performance of Chopin’s works] (Warsaw, 1879; Eng. trans., 1896, 6/1913, 7/1970 as How to Play Chopin)

J. Kleczyń ski: Chopin w celniejszych swoich utworach (Warsaw, 1886; Eng. trans., 1896, as Chopin’s Greater Works …: how they Should Be Understood)

G.C. Ashton Jonson: A Handbook to Chopin’s Works (London, 1905, 2/1908/ R)

R. Koczalski: Chopin-Zyklus: vier Klaviervorträ ge (Leipzig, 1909)

L. Kamień ski: ‘Zum “Tempo rubato”’, AMw, i (1918–19), 108–26

J.B. McEwen: Tempo Rubato or Time Variation in Musical Performance (London, 1928)

J.F. Porte: Chopin, the Composer and his Music: an Analytical Critique of Famous Traditions and Interpretations (London, 1935)

R. Koczalski: Fré dé ric Chopin: Betrachtungen, Skizzen, Analysen (Cologne, 1936)

R. Caporali: ‘La scrittura pianistica chopiniana e la sua interpretazione’, RaM, xix (1949), 286–95

B. von Poż niak: Chopin: praktische Anweisungen fü r das Studium der Chopin-Werke (Halle, 1949)

D.N. Ferguson: Piano Interpretation: Studies in the Music of Six Great Composers (London, 1950), 183–249

M.J.E. Brown: ‘The Posthumous Publication of Chopin’s Songs’, MQ, xlii (1956), 51–65

O. Jonas: ‘On the Study of Chopin’s Manuscripts’, Chopin-Jb 1956, 142–55

Z. Drzewiecki: ‘Der zeitgenö ssische polnische Auffü hrungsstil der Werke von Fryderyk Chopin’, Annales Chopin, ii (1957), 243–53

P. Badura-Skoda: ‘Um den Chopinschen Urtext: Betrachtungen anlä sslich des Erscheinens der Paderewski-Ausgabe’, NZM, Jg.121 (1960), 82–8

M.J.E. Brown: ‘First Editions of Chopin in Periodicals and Serial Publications’, Annales Chopin, v (1960), 7–12

W. Heinitz: ‘Essentielle Erkenntnisse zur Werk-Ä sthetik Fré dé ric Chopins’, Annales Chopin, v (1960), 13–30

J. Sobieska and M. Sobieski: ‘Das Tempo rubato bei Chopin und in der polnischen Volksmusik’, The Works of Frederick Chopin: Warsaw 1960, 247–54

E. Zimmermann: ‘Probleme der Chopin-Edition’, Mf, xiv (1961), 155–65

Z. Drzewiecki: ‘How to Play Chopin’, Polish Perspectives, viii/2 (1965), 14–22

T. Higgins: Chopin Interpretation: a Study of Performance Directions in Selected Autographs and other Sources (diss., U. of Iowa, 1966)

Ya.I. Mil’shteyn: Sovetï Shopena pianistam [Chopin’s advice to pianists] (Moscow, 1967)

G. Belotti: Le origini italiane del ‘rubato’ chopiniano (Wrocł aw, 1968)

K. Kobylań ska: ‘Prace Chopina nad zbiorowym wydaniem dzieł wł asnych’ [Chopin’s work on the collected edition of his own works], RM, xii/14 (1968), 3–6

D.T. Turł o: ‘Dziedzictwo formy artystycznej Chopina’ [The heritage of Chopin’s artistic manner of interpretation], Annales Chopin, viii (1969), 7–43

J. Ekier: Wydanie narodowe dzieł Fryderyka Chopina: komentarze ź ró dł owe: ballady [Source commentary to the (Polish) national edition of Chopin’s ballades] (Krakó w, 1970)

J. Ekier: Wstę p do Wydania narodowego dzieł Fryderyka Chopina, i: Zagadnienia edytorskie [Introduction to the (Polish) national edition of Chopin’s works: editorial problems] (Warsaw, 1974)

J.-J. Eigeldinger: ‘Un autographe musical iné dit de Chopin’, SMz, cxv (1975), 18–23

J. Kallberg: ‘Are Variants a Problem? “Composer’s Intentions” in Editing Chopin’, Chopin Studies, iii (1990), 257–68

J. Methuen-Campbell: ‘Chopin in Performance’, The Cambridge Companion to Chopin, ed. J. Samson (Cambridge, 1992), 191–205

J. Rink: ‘Authentic Chopin: History, Analysis and Intuition in Performance’, Chopin Studies 2, ed. J. Rink and J. Samson (Cambridge, 1994), 214–44

C. Grabowski: ‘Les editions originales franç aises des oeuvres de Fré dé ric Chopin’, RdM, lxxxii (1996), 213–43

Chopin, Fryderyk Franciszek: Bibliography