Gender Roles

In some respects, Fitzgerald writes about gender roles in a quite conservative manner. In his novel, men work to earn money for the maintenance of the women. Men are dominant over women, especially in the case of Tom, who asserts his physical strength to subdue them. The only hint of a role reversal is in the pair of Nick and Jordan. Jordan's androgynous name and cool, collected style masculinize her more than any other female character. However, in the end, Nick does exert his dominance over her by ending the relationship. The women in the novel are an interesting group, because they do not divide into the traditional groups of Mary Magdalene and Madonna figures, instead, none of them are pure. Myrtle is the most obviously sensual, but the fact that Jordan and Daisy wear white dresses only highlights their corruption.

Violence

Violence is a key theme in The Great Gatsby, and is most embodied by the character of Tom. An ex-football player, he uses his immense physical strength to intimidate those around him. When Myrtle taunts him with his wife's name, he strikes her across the face. The other source of violence in the novel besides Tom are cars. A new commodity at the time that The Great Gatsby was published, Fitzgerald uses cars to symbolize the dangers of modernity and the dangers of wealth. The climax of the novel, the accident that kills Myrtle, is foreshadowed by the conversation between Nick and Jordan about how bad driving can cause explosive violence. The end of the novel, of course, consists of violence against Gatsby. The choice of handgun as a weapon suggests Gatsby's shady past, but it is symbolic that it is his love affair, not his business life, that kills Gatsby in the end.

Class

Class is an unusual theme for an American novel. It is more common to find references to it in European, especially British novels. However, the societies of East and West Egg are deeply divided by the difference between the noveau riche and the older moneyed families. Gatsby is aware of the existence of a class structure in America, because a true meritocracy would put him in touch with some of the finest people, but, as things stand, he is held at arm's length. Gatsby tries desperately to fake status, even buying British shirts and claiming to have attended Oxford in an attempt to justify his position in society. Ultimately, however, it is a class gulf that seperates Gatsby and Daisy, and cements the latter in her relationship to her husbad, who is from the same class as she is.