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Leaving our prisons






 

I begin this part of the course with the word “prison.” I hope this is a clue for you all. For me, this reflection has been very important. I live in reality. Here's the story: I have been born in a limited body; I feel impotent. All of us have four elements: the intellect, the emotional, the sexual, and the physical body. We live in ideas, emotions, desires, and needs. These four elements are represented in Tibetan, Indian, and Hindu mandalas, in the World tarot card, and so forth. It is a division into four parts, with a fifth element in the center. This is the true path through all of the history of the art of humanity. In each of the four parts, we have dragons as guardians. Each tower is firmly protected. We recall the image of the lions that guard the door of the temple, or the gargoyles of Notre Dame. We have within ourselves some excellent guardians, which keep us restricted and well shielded. My intellect is locked, guarded; my emotions, shuttered; my sexuality and my needs, watched over. Everything is protected, and these very jailers that we have created are precisely what prevent us from being creative. For this reason, what I am saying is a little revolutionary, because to be creative one must defeat the guards and throw open the doors, even though one neither sees them nor identifies them. They are like the bad witch who had to be defeated in the stories of Hades; they are the ogres, the fear... They are our babysitters. We have been shaped by the history of humanity, by the development of the planet, by society, by government, by the family. All of this lives inside us. Our guards are prehistoric. Little by little, they have become strong; they have been pigeonholed. We need to attack these guards in order to liberate ourselves. The problem is that attacking them makes us feel threatened, unprotected—it’s scary.

 

The final limitation to vanquish in order to be creative is our human waste. We are a body that expels decomposing matter. Urine, saliva, sperm, menses... We are talking only about the body. A person who deeply guards his excretions cannot be creative. In Ayurvedic medicine there is a school that uses urine for medicinal purposes. In Mexico, I found a healer who treats with all types of animal excrement, and according to him each animal’s excrement has its own different medicinal capacity.

When creative people sometimes get blocked, I use Psychomagic and have them paint a square with their excrement. This block usually has its origin in infancy, in families that were very demanding about cleanliness and who prohibit their children from getting dirty or eating with their fingers. They’ve been prohibited from being free.

 


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