Have talent

Now I am going to propose a very simple exercise that will stimulate your talent. You do not have talent? Well, you're going to have it right away. There is no need to doubt yourself. I have talent when I have power. And I have power when I have the right to life or death over others. From this moment on, I have power. God is all-powerful, because he can kill when he wants to. And because he can create me when he wants to. And if I am alive, it is because he pardoned me. Then the capacity to kill, to pardon, is going to create the talent. It is simple. I imagine that I am a cobra, that I have venom and that in front of me there is a monkey. I am in front of the monkey, concentrating, completely engrossed. I move, I look at it, I hypnotize it, and the monkey does what I want. It is an attitude of talent. I tell you the truth. I cause you to look at me. I cause you to be here. I have created you. There is no need for you to convert yourself into a cobra. Instead of always being a victim, the little rat that is always hypnotized, we pass to the other side. We are those who hypnotize others, okay? For this, we need to relax. Create a dot; make it rise. Then we balance ourselves because we are ready to jump, but we do not jump. We make like we are going to jump, but we do not jump. This is how we hypnotize the monkey. We do not bite it either. We only hypnotize it. You have to develop this capacity of the hypnotizing look. It is not to seduce; it is very different from seduction. With my mental concentration, I have the other in my power. Work this. This is talent. We are not attending a meeting of cobras, but a brotherhood of the wise who are like cobras, who respect one another because they know their knowledge is mortal.

Now try to go beyond your head to expel the force. Try to exceed the interior of your head: imagine that your eyes are thirty centimeters higher than the cranium and, feeling that you are a cobra, think about what we have below the belly button, two or three fingers lower, a point of concentration and that there is a force that exits from there toward the exterior, a force that can enter into others. In the belly. This is the Emperor tarot card. It is seated like that, and the force is there.

DRAW

Now we will do an applied creativity exercise. Now that you have all the mental tools necessary—concentration, strength, all that we have studied in this course—you are going to imagine that you have a canvas of any size that you like. You have a paintbrush that changes colors according to your desire. And you are going to make a painting, an imaginary painting. You can draw, you can make large marks, you can change the colors—whatever you like. Then, seated in groups and making gestures, describe the painting you have painted. Okay? Begin! While you paint, you can put on imaginary music to guide you. If you want to be creative, create! And if someone has creative potential, may he continue, go along until something appears. To your unconscious, it is as if you have made a painting, you know? To the unconscious, what one has done in the imagination is the same as what is carried out in reality. In the nervous system, when one imagines something, the same connections are activated. What happens is that normal people do not propose to do such things, because they do not believe it. Really, if you want to be creative, you need to just do it. If I paint ten or twenty paintings like this, imaginary ones, then I will be able to do a real painting; I will be mentally prepared to paint. You see?

SCULPT

And now, to finish with this series of exercises, make a sculpture. In space, the sculpture becomes. You can use whatever material: marble, gold, bronze, whatever you want. And create a figure, or if you want to go further, you can turn it into an abstract. Think about what sculpture you want to make. Be sculptors. We are going to be able to manipulate space creatively. It is important, because if you do not do this, you will have an undeveloped dimension. It is necessary to move around the object. Sculpture makes us abandon the fixed glance; it lets us develop our spirit as it spins around the created object. Once finished, we will describe it, because the commentaries are also important. Before stalling to sculpt, really think about the material you are going to choose, it should be a material that you like. You can also color it...